Death Match is an R-rated, 1980s-style animated feature written and directed by Prince Zoho: a dystopian city, a factory worker named John, a crime boss in a penthouse and a tournament where people die on camera. It is being made with an AI agent, Claude, working as the crew.

This diary answers one question: can an AI take a screenplay to shots, prompts, images, video and an edit, and how much human commitment and intervention does that take? Claude does the labor of a studio. The human is the arbiter of taste, approving or rejecting every frame and every clip.

One entry is published each day, with the numbers and the failures.

The diary

  1. Day 01: How to make an animated film with AI, starting from my own screenplay (Oct 4, 2026)
  2. Day 02: Midjourney blocked my account for automation while my AI worked overnight (Oct 5, 2026, coming)
  3. Day 03: Keeping props and hands consistent in AI video, one scene at a time (Oct 6, 2026, coming)
  4. Day 04: When AI video tools refuse violent scenes, try open models on your own machine (Oct 7, 2026, coming)
  5. Day 05: Editing an AI-generated film in Premiere, and fixing AI lip sync timing (Oct 8, 2026, coming)
  6. Day 06: AI video budget per minute, after Runway suspended my account (Oct 9, 2026, coming)
  7. Day 07: Character consistency in AI animation: a locked design for all 46 characters (Oct 10, 2026, coming)
  8. Day 08: Can an AI edit a film? Mine cut it to confetti, so we recut it in Premiere (Oct 11, 2026, coming)